From 2011 to 2012, I documented the neighborhood of Mount Pleasant, Calgary, Canada using film and digital photography. The body of work was a marker of a key period in my life and my artistic practice.
The images have been engraved in my memory in a vivid yet distorted manner.
Using a neural network, I built a memory bank from my own photographs: machine memory. This machine-memory is representing my memories of the neighborhood.
Like my own memory and imagination, the machine memory is limitless, vivid, and distorted.